**octave**, the diatonic musical scale really consists of seven notes: C, D, E, F, G, A, and B. With a remarkable sense of

**synesthesia**, some people like to think each note has a color to it. I have folded my concept of the colors of notes into a paper aperture for your amusement.

Musicians like Alexander Scriabin developed systems to assign colors to key signatures based on the circle of fifths. The famous Hungarian composer and piano virtuoso, Franz Liszt, had a famous quarrel with Russian composer Nikolai Rimsky-Korsakov about the colors of the various key signatures; they saw them quite differently.

Seven is an odd

**prime number**. Because it divides evenly into 1001 (and 1001*999 is one less than one million) its

**reciprocal**has a six-digit repeat block, and thus seven the first number to have a repeat block that has length equal to the number minus one. It is a noble prime.

999999 = 3*3*3*7*11*13*37

Note that 7 and 13 have six-digit reciprocals, but 7 is often associated with good luck and 13 is often associated with bad luck.

An odd, prime number like 7 would seem to be impossibly irregular until you try to lay out seven pennies upon the table, as I did when I was five or so. I was surprised that it made the most elegant, regular arrangement possible.

And the seven pennies introduced young me to

**hexagonal packing**. You can see that seven hexagons can make a hexagonal cluster. This is because it is a

**hexagonal number**. The numbers 1, 7, 19, 37, ... , expressed as

1 + 6*T(n)

(where T(n) is the nth triangular number), are called hexagonal numbers because they give the exact number of smaller hexagons that can be put together to form a larger hexagon.

The clusters themselves can be fitted together. into an elegant offset packing, here shown using my Tile Patterns application. And a little help from Painter.

When I constructed this tiling, I had to work it out by hand first before I could enter it properly into Tile Patterns.

Here is my sketch of this tiling, giving some indication of the way I wanted to see it. Perhaps if we had hexagonally-packed eyes like the honeybee, and saw everything in these patterns, we would make our homes like they make their honeycombs.

It is only because my eyes are not hexagonally packed, I know, that I couldn't quite get the proportions right.

The green dashed parallelogram shows the

**repeat block**of the offset tile pattern. It is because I like to think in squares and cubes that I can see it.

Seven is an interesting number for cubes as well, because it is one less than the cube of two.

Here I have illustrated that concept for you. It's always easier to see it visually than to just read it, I think.

Put one cube in the

**missing corner**and you can make a 2x2x2 block. Two cubed is eight. So this shows seven cubes. Plus, I like a good graphic!

When it comes to seven, we do spend a bit of time dancing around six and eight.

The first diagram I showed was a folded paper aperture with seven sides. Its outline is a seven-sided regular polygon, called a

**heptagon**.

Connect the corners of a heptagon and you can make various forms of seven-pointed stars.

Many countries use five-, six-, seven-, and eight-pointed stars as their symbols. Normally there are the wide star and the thin star. The Sheriff's Badge symbol uses a seven-pointed star that's somewhere in-between the two.

Other than these I don't really know other ways that the seven-pointed star gets used. This illustration I have created is a mandala form. I have applied a little color so you can see the various shapes better.

Seven dots on a grid can be situated in several different ways. But if you look at seven as two times four minus one, then you can see how a corner of one square may be shared with the corner of another square.

Each number is unique and interesting. In music, there is more to seven than just the diatonic scale. There is also music that features seven beats per measure, like Money by Pink Floyd, Solsbury Hill by Peter Gabriel, and the final Precipitato from Prokofiev's Piano Sonata No. 7 in B-flat. When I get in a mood, I will use this time signature. Usually it is broken up into two-two-three.

Finally, did you know that graph theory is based upon Leonhard Euler's solution to the problem of the Seven Bridges of Königsberg? Walk through the city, crossing each of the seven bridges exactly once. Once again the number seven provokes thought. Euler abstracted the two sides of the river and the two islands into four

**nodes**and the bridges were thus abstracted into the seven

**arcs**between them. The number of arcs attached to each node is called the

**degree**of the node. If a node has even degree, then any path can enter and leave the node in an equal pairing. But if a node has an odd degree, then either the path must start or end there. It is easy to see that if more then two nodes have odd degree it is impossible for a single path to traverse all nodes, using the arcs between them. This is because a path must have only two endpoints. Königsberg's graph has four nodes of odd degree. Thus no such walk can exist.

So the number seven was actually the doorway to graph theory in the eighteenth century!